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      Visit our Online Customer Service Help Desk to provide comments about this web site. Copyright © 1999 - 2009 High Desert Gallery, High Desert Art Gallery, High Desert Framing, High Desert Fine Art are trademarks of High Desert Gallery of Central Oregon. Trademarks, content and images sole property of the artist and/or High Desert Gallery & Custom Framing.  Reprint or use is restricted without prior written permission.

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    « July 2007 | Main | September 2007 »

    Reception Thoughts on "Through The Envelope" - John Simpkins & Paul Alan Bennett

    Ttereception72450358 John Simpkins -- So many wonderful people came to the opening of Through The Envelope!  Old friends, new friends, people I had not yet had the pleasure of meeting...all gathering together to celebrate the work that Paul and I had created.  It was a team effort, an evening that focused on the outcome of over six months of love, imagination and work.

    The gallery had a warm celebratory feeling that night.......a large vase of flowers graced one of the tables, and there were bountiful hors d'oeuvre and wines for those in attendance.  Soft elegant guitar music filled the gallery, played by the very talented and handsome Jacob French.  Paul and I had created some special "Through The Envelope" envelopes mounted on some of our old paint brushes, and some of us had some fun playing with those, holding them up as masks to look through.  There was so much warmth and frivolity in the gallery that night!

    One of the most remarkable moments for me was when I met two collectors from New York who also have a home in Black Butte.  They come from Danish heritage, and they asked if I happened to be Danish also.  I admitted that I was at least 1/4 Danish, that my Great Great Grandfather had been a Danish sea captain.   I was curious as to why they had asked. They told me that they noticed a strong Danish sense of design and symbolism in much of my work.  My ceramics appealed to them and they purchased one of the most important pieces from my new collection.  I was greatly honored.

    Andrew Moore, writer for the Bend Bulletin, had written a story on Paul Alan Bennett and me for the "Go!" magazine section of the paper, calling us "Brothers in Art".  I like that title very much!  Paul and I are indeed brothers in art, and our work is complimentary, it shows well together.  What a privilege it has been to work with Paul over the months in order to create this show!

    I would like to take this opportunity to thank the gallery and the wonderful sales staff for their dedication and support through the years.  To Paul, my deepest gratitude and deepest bows for his good nature and remarkable imagination, friendship and humor.  We spent many a moment doubled over in laughter during the production of this show!   To James Martin, my sincere thanks for all of his remarkable help in gilding my frames and documenting my work.  And to all of my collectors and friends who attended the opening, my warmest thank you! What a supreme pleasure it has been, the journey over the past six months that has culminated in this special show.  For those of you who have not yet visited the gallery and this showing, please take some time to make a visit, I think you come away refreshed and perhaps your imagination will be massaged by the images that Paul and I have created especially for you.

    I look forward to our next showing, and a chance to meet each and every one of you!

    John Simpkins - August 15, 2007

     

    Ttereception72262350Paul Alan Bennett -- I thought it was a great success- an "event" for Sisters and the surrounding community.  I enjoyed being a part of it and felt that all involved shared the same feeling.  I met many interesting people from various parts of the country and well as from old friends from various places and times in my life.  I found it curious that so many people asked me what was my favorite painting.  My pat answer of responding, "well, I feel it's like asking a parent who his favorite child is" didn't really carry much weight so I pointed out things I liked about "Drifting Through Time Over Black Butte" and "Nocturne."  Everyone had their own favorites and it was interesting to hear how those varied. Many people liked the boat image (Drifting Through Time Over Black Butte) as well as the Nocturne, but other choices were the sheep,  the Wedding Dancers and Chief Paulina.  I thought that the work seem to speak to everyone in a different way and I enjoyed seeing that.

    The show was a very successful group effort on the part of The High Desert Gallery  (framing, publicity, reception) and the work that John and I did. John and I both challenged ourselves with new media which pulled us in new directions.  New ideas come out as a result.  The show's theme, "Through the Envelope" gave many opportunities for innovative advertising and a fun brochure. There was a certain French costume ball party in the flavor of all this.  This was greatly aided by the music of Jacob French and the refreshments.

    Since the opening, I've had several people make a point of telling me how much they enjoyed the show.  They even mentioned enjoying the ad!  All this helps to make the opening a community event that all can take pleasure in.

    Paul Alan Bennett - August 15, 2007


    Top 100 Art and Framing Gallery in America - High Desert Gallery

    Decortop100angledlogo200 It is with great pleasure that the High Desert Gallery Staff and Directors announce the recent recognition of the 2007 “Top 100 Art & Framing Retailers” Award from DECOR magazine.  The award is for year 2006 and follows prior years of “Top 100” recognition in 2004 and 2005.    “This award could not be possible without the support of the Central Oregon Community, our professional and talented artists, clients, business partners and dedicated staff,” stated Myrna Dow, Gallery Director.

    The 5th Annual DECOR Magazine Top 100 Art and Framing Retailers Awards honors the best and the brightest in the art and framing industry  The award provides recognition of industry excellence in specific categories ranging from best frontroom design and best annual marketing plan to best store event and technology integration.  Art and Framing Galleries of all sizes through out the United States are invited to participate in the competition.  The award winners are the very best and brightest within the art and framing industry and set a terrific example for their contemporaries.

    About DECOR Magazine: DECOR magazine begin life in 1880 as The American Picture Trade.  DECOR continues its authoritative role in the decorative art and framing industry, keeping subscribers up-to-date with the latest news and newsmakers, trends, and the cutting-edge technology that drives the ever-changing art and framing industry. For more than a  One-hundred-twenty-seven-years DECOR magazine has maintained its mission of helping art and framing retailers run better businesses.  For more information visit: www.decormagazine.com

    About High Desert Gallery: High Desert Gallery & Custom Framing, The Art & Soul of Central Oregon™ is an award winning fine art and custom picture framing gallery with retail locations in Bend, Oregon (Opening Fall of 2008), Redmond and Sisters Oregon specializes in Central Oregon Artists & Beyond™ and Stellar Custom Framing.  High Desert Gallery's online sales gallery can be found at www.highdesertgallery.biz .  For more information please visit:   www.highdesertgallery.com or call toll free 1-866-549-6250.    High Desert Gallery & Custom Framing of Central Oregon content copyright 2007.  The Art & Soul of Central Oregon™ and Central Oregon Artists & Beyond™ are trademarks of High Desert Gallery & Custom Framing of Central Oregon.


    For me the show itself is art -- Thoughts on "Through The Envelope" by John Simpkins

    Ttejsthechaseweblog082007_2 This show, Through The Envelope, is all about what I enjoy most about life: process.  Paul Bennett, Todd Dow and I began discussing this show early in this year, and the process has lead us to this moment, the opening day of the exhibit.  The title of  the show emerged after many casual gatherings sitting and free-thinking while sipping espressos at local Sisters coffee houses.  The wonderment of the concept was great fun, and watching the show take a shape and a direction is very much the way I paint.

    Getting a spark of an idea, sometimes from dreams, or even just the way light plays off of an object, might lead to the beginning of a panel.  The initial strokes of venetian red gesso on a panel sets the foundation for what may come.  This signals an intention of creation.  I tend to watch over my creative muse as best I can, perhaps bending to the gratification of one of Janit Brockway's oatmeal cookies at The Navigator News here in Sisters!  Massaging the creative spirit, and in the case of a show like this, thinking of the effect all the work will have upon the viewer when shown together, is of great importance to me.  I like to include different shapes, complement the use of color and design, and experiment with the subject.  And, yes, I have discovered that cookies and espresso often encourage this activity!

    For me the show itself is art.  Perhaps like dining on fine cuisine, I hope that this show provides both visual and spiritual delights.  My wish and desire is that the viewer's eye will revel in the concert of colors and shapes, then upon closer examination, be delighted by the content and detail of each work.

    There was a marvelous sense of something akin to "family" as I produced this show.  Over the six months of production there have been highs and lows, challenges to be solved, and the childlike joy of acting on the sparks of creativity that make me smile.  Living with these 20 pieces of  work, saving them for the opening on August 11th, seeing them each day, imagining them hanging together in a show, this act itself is an art for me.   Each piece has it's own spirit and personality,  and to have them shown together is not unlike one of the gatherings of my family and relatives on a holiday!  The process of creating this show has been a delight for me.  I hope you will enjoy the work.

    John Simpkins -- August 2007

    Tteinvitefinallr300600390 Please plan on joining us for a wonderful evening of lively conversation, great art, refreshments and live music by Jacob French!  High Desert Gallery is honored to host an artist in attendance reception for Paul Alan Bennett and John Simpkins.
    Date:  Saturday, August 11, 2007
    Time:  4:00PM to 7:30PM
    Location: High Desert Gallery -- 281 W Cascade Avenue Sisters Oregon 97759
    Info:  541-388-8964 x 3

    For additional information about the artists and the gallery please visit: www.highdesertgallery.com or call 541-388-8964. High Desert Gallery & Custom Framing, The Art & Soul of Central Oregon™ is an award winning fine art gallery with retail locations in Bend (Opening Fall of 2008), Redmond and Sisters Oregon specializes in Central Oregon Artists & Beyond™ and Stellar Custom Framing.  High Desert Gallery's online sales gallery can be found at www.highdesertgallery.biz

    "The Chase" -- Original artwork by John Simpkins.  All rights reserved and copyright 2007.  Use of image is restricted and prohibited without prior written permision.  High Desert Gallery & Custom Framing of Central Oregon content copyright 2007.  The Art & Soul of Central Oregon™ and Central Oregon Artists & Beyond™ are trademarks of High Desert Gallery & Custom Framing of Central Oregon.

    Thoughts on "Through The Envelope" -- Paul Alan Bennett

    Ttepabdriftingthroughtimeoverblackb This is the second show John Simpkins and I have done together at The High Desert Gallery here in Sisters.  I’ve known John for 17 years now- ever since I moved to Sisters- and have always enjoyed his work.  Both of us share a love of drawing and color and the use of storytelling, art history,  humor and spirituality in our work.  Although we are both known for working in certain styles- John for his “Americana” look and me for my “knit” look- we have both shared a love of trying new things, working in new materials and tapping into what’s current in the contemporary arts world. 

    Much of my work for our new show “though the Envelope” is experimental.  The majority of my work has been done using Gamblin oil paints.  Robert Gamblin lives in Portland and started making oil paints over 25 years ago.  Robert is an artist who loves to share what he has learned with everyone.  His website is filled with articles about the history of different colors how the color palettes have changed since the time of the Renaissance.  He is also very concerned with health issues and has created his own brand of mineral spirits and mediums as a result. 

    Working in oils always reminds me of the first college I attended- St. Mary’s College located on the Eastern shore of the Chesapeake Bay in Maryland.  I had only one art teacher, Tom Rowe, who worked in a very traditional, realistic manner.  He showed us all how to glaze with oil colors using a medium called Maroger that thinned-out the colors.  Robert Gamblin has re-created this medium under the name Galkyd.  He has several other mediums as well that help with the flow, glazing effects and drying time of oils.

    I spent much of my time at St.  Mary’s College in the Art Department and was fortunate enough to have my own studio space.  By the end of my freshman year, I had filled that space with my paintings, sculptures and a collection of bones, rocks and other objects from nature that I had gathered from the woods and the river around campus.

    Working in oils always reminds me of that time in my life.  The feel and smell of the paint brings back many pleasant memories   

    The painting “Drifting Through Time over Black Butte” (Image above) is most reminiscent of the style I learned from Tom Rowe.  The emphasis on darks and lights, the glazing of color and the use of scale and repeated forms to create space and perspective were all a part of his “Old Master” approach to painting. 

    After my freshman year I transferred to The Maryland Institute of Art in Baltimore.  I learned to work with acrylic colors at this time and was also exposed to a wide variety of painting styles: the realists, the abstract expressionists, the minimalists, the conceptualists, etc.  I enjoyed learning about all these styles and came to admire those artists who could easily change their styles to match their ideas.   It was like being facile with several foreign languages- you use the language that best fits the occasion. 

    I continue to experiment with styles in this same way.  My work in this show with John exemplifies that fact.  A few of the paintings have my knit look.  “The Wedding Dancers” and “Roots of Paulina” are done in this style.    But the images of flowing water are done in a much looser, painterly fashion.  The theme of the water paintings is the dance of the brushstroke as much as the subject of water.  Working in such a fashion I find to be emotionally exhausting but very satisfying when it all works out.  I can also feel physically exhausted.  This is much different from “The Red Couch” painting, done in small brush strokes and glazes of color.  This method tends to be more methodical and intellectual.  Both approaches have their levels of frustration.  One is not harder or easier to do than the other.  This fact has always impressed me: even though I’ve worked in the field of art for most of my life, it doesn’t seem to get any easier!   Perhaps I like trying many different approaches to painting in the hope of finding an easier way to do it.   Some things do get easier.  I’m more comfortable with color than I’ve ever been before.  There are times when a painting will be go quickly, as if it is painting itself.  But the next painting will be all fits and spurts.

    Paul Alan Bennett -- August 2007

    Ttethroughinvitefinallr300600390 Please plan on joining us for a wonderful evening of lively conversation, great art, refreshments and live music by Jacob French!  High Desert Gallery is honored to host an artist in attendance reception for Paul Alan Bennett and John Simpkins on Saturday, August 11, 2007.

    To receive updates on new work, art speak thoughts by both artists, show progress and sneak previews please subscribe to our weblog at: High Desert Gallery Weblog.

    Check back for more show and artist information.  If you haven’t already done so – Mark your calendar, make your hotel reservations and plan on attending this is a not-to-be missed gallery event.  To receive a mailed invitation please call the gallery and we’ll collect (but not share) your postal mailing address.  Our toll-free phone is 1-866-549-6250 – Option 3 for the Sister Gallery and Option 4 to leave a message.  We hope to see you on Saturday, August 11 for “Through The Envelope” an Artist Reception for Paul Alan Bennett and John Simpkins.

    For additional information about the artists and the gallery please visit: www.highdesertgallery.com or call 541-388-8964. High Desert Gallery & Custom Framing, The Art & Soul of Central Oregon™ is an award winning fine art gallery with retail locations in Bend (Opening Fall of 2008), Redmond and Sisters Oregon specializes in Central Oregon Artists & Beyond™ and Stellar Custom Framing.  High Desert Gallery's online sales gallery can be found at www.highdesertgallery.biz

    Original artwork by listed artist(s).  All rights reserved and copyright 2007.  Use of image is restricted and prohibited without prior written permision.  High Desert Gallery & Custom Framing of Central Oregon content copyright 2007.  The Art & Soul of Central Oregon™ and Central Oregon Artists & Beyond™ are trademarks of High Desert Gallery & Custom Framing of Central Oregon.